The string quartets of Haydn , Mozart , and Beethoven : studies of the autograph manuscripts : a conference at Isham Memorial Library , March 15 - 17 , 1979
edited by Christoph Wolff ; Robert Riggs, assistant editor
- Harvard University Press Cambridge, Mass. 1980
- xi, 357 p. : ill. ; 24 cm.
- Isham Library papers 3 .
Bibliography: p. 346-352 Lockwood, L. Introductory remarks .--Somfai, L. An introduction to the study of Haydn's quartet autographs (with special attention to Opus 77/G ) --Webster, J. The significance of Haydn's quartet autographs (with special attention to Opus 77/G)--Webster, J. The significance of Haydn’s quartet autographs for performance practice.--Feder, G. Haydn’s corrections in the autographs of the Quartets opus 64 and opus 71/74.--Finscher, L. Aspects of Mozart’s compositional process in the Quartet autographs: I. The early quartets. II. The genesis of K. 387.--Flothuis, M. A close reading of the autographs of Mozart’s ten late quartets.--Tyson, A. Mozart’s Haydn quartets : the contribution of paper studies.--Wolff, C. Creative exuberance vs. critical choice : thoughts on Mozart’s quartet fragments.--Kramer, R. Das Organische der Fuge : on the autograph of Beethoven’s Quartet in F major, opus 59, no. 1.--Brandenburg, S. The autograph of Beethoven’s Quartet in A minor, opus 132 : the structure of the manuscript and its relevance for the study of the genesis of the work.--Staehelin, M. Another approach to Beethoven’s last quartet oeuvre : the unfinished string quintet of 1826/27
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Haydn , Joseph , 1732-1809 . Quartets , strings Mozart , Wolfgang Amadeus , 1756-1791 . Quartets , strings Beethoven , Ludwig van , 1770-1827 . Quartets , strings Music - Congresses String quartets - History and criticism Musicology--ML