The string quartets of Haydn , Mozart , and Beethoven : studies of the autograph manuscripts : a conference at Isham Memorial Library , March 15 - 17 , 1979 edited by Christoph Wolff ; Robert Riggs, assistant editor

By: Material type: TextTextLanguage: English Series: Isham Library papers | . 3 Publication details: Harvard University Press; Cambridge, Mass.; 1980Description: xi, 357 p. : ill. ; 24 cmISBN:
  • 0674843312
Subject(s): LOC classification:
  • ML1160.I84 1980
Item type: PRINT
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Item type Current library Call number Copy number Status Date due Barcode
PRINT PRINT المكتبة الرئيسية الطابق الثاني ب ML1160.I84 1980 (Browse shelf(Opens below)) 1 Available E38696

Bibliography: p. 346-352

Lockwood, L. Introductory remarks .--Somfai, L. An introduction to the study of Haydn's quartet autographs (with special attention to Opus 77/G ) --Webster, J. The significance of Haydn's quartet autographs (with special attention to Opus 77/G)--Webster, J. The significance of Haydn’s quartet autographs for performance practice.--Feder, G. Haydn’s corrections in the autographs of the Quartets opus 64 and opus 71/74.--Finscher, L. Aspects of Mozart’s compositional process in the Quartet autographs: I. The early quartets. II. The genesis of K. 387.--Flothuis, M. A close reading of the autographs of Mozart’s ten late quartets.--Tyson, A. Mozart’s Haydn quartets : the contribution of paper studies.--Wolff, C. Creative exuberance vs. critical choice : thoughts on Mozart’s quartet fragments.--Kramer, R. Das Organische der Fuge : on the autograph of Beethoven’s Quartet in F major, opus 59, no. 1.--Brandenburg, S. The autograph of Beethoven’s Quartet in A minor, opus 132 : the structure of the manuscript and its relevance for the study of the genesis of the work.--Staehelin, M. Another approach to Beethoven’s last quartet oeuvre : the unfinished string quintet of 1826/27

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